A Sweden Museum	Carl Larsson's Oil Paintings
		Carl Larsson Museum May 28, 1853–January 22, 1919. Swedish painter.
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Here are all the paintings of Thomas Gainsborough 02

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
43297		Mr and Mrs. Andrews	mk170 circa 1750 Oil on canvas 69.8x119.4cm
42734		Mr. and Mr.s Andrews	MK169 ca. 1749 oil Paint on cloth 69.8x119cm
56118		mr.and mrs.andrews	mk247 c.1750,oil on canvas,27x47 in,70x119.5 cm,national gallery,london,uk
43296		Mr.and Mrs.William Hallett	mk170 1785 Oil on canvas 236.2x179.1cm
1310		Mrs Grace Elliot
1311		Mrs Lownds Stone
24263		Mrs Mary Robinson (mk25	1781
1299		Mrs Philip Thicknesse	1759-60 Cincinnati Art Museum, Ohio
1322		Mrs Richard Brinsley Sheridan	1785-87
58894		Mrs Thomas Hibbert. Neue Pinakothek.	Mrs Thomas Hibbert. Neue Pinakothek.
58919		Mrs. Richard B. Sheridan	Mrs. Richard B. Sheridan (1785-86)
53848		Mrs. Richard Brinsley Sheridan	mk234 1785/86 220x154cm
90562		Mrs. Siddons	TBD, will be updated Medium oil on canvas cjr
41348		Mrs.Grace Dalrymply Elliott	mk161 Oil on canvas
31816		Mrs.Peter william baker	mk76 Dated 1787 Oil on canvas 89 5/8x59 3/4in
40608		Mrs.Richard Brinsley Sheridan	mk156 1785 Oil on canvas 220x154cm
56152		mrs.richard brinsley sheridan	mk247 1785 to 87,oil on canvas,86.625x60.625 in,220x154 cm,national gallery of art,washington ,dc,usa
43298		Mrs.Siddons	mk170 1785 Oil on canvas 126.4x99.7cm
73846		Oil painting by Thomas Gainsborough of Count Rumford who was an American born soldier, statesman, scientist, inventor and social reformer.	Oil painting by Thomas Gainsborough of Count Rumford (born Benjamin Thompson, 1753?C1814) who was an American born soldier, statesman, scientist, inventor and social reformer. 1783(1783) cjr
40950		Ox Cart by the Bands of a Navigable River	mk158 c.1758
40909		Peter Darnell Muilman Charles Crokatt and William Keable in a Landscape	mk158 c.1748
72493		Pfeiferauchender Bauer vor der Huttentur	Date 1788(1788) Medium Oil on canvas Dimensions Deutsch: 196 X 158 cm cyf
71371		Pfeiferauchender Bauer vor der Huttentxr	1788(1788) Oil on canvas 196 x 158 cm
40931		Portrai of Mary,Mrs John Vere	mk158 c.1752
40896		Portrait of a Girl and Boy	mk158 c.1745
40920		Portrait of a Girl and Boy	mk158 c.1745
1305		Portrait of a Lady in Blue 5	1770's The Hermitage, StPetersburg
78146		Portrait of a Woman	ca. 1750(1750) Oil on canvas cjr
40955		Portrait of a Young Woman	mk158 c.1759
40892		Portrait of Ann Ford	mk158 1760
40961		Portrait of Ann Ford	mk158 1760
77055		Portrait of Ann Ford	1760(1760) Oil on canvas 197 ?? 135 cm (77.6 ?? 53.1 in) cjr
48667		Portrait of artist-s Wife	mk191 about 1778 77x64.5cm
77961		Portrait of Carl Friedrich Abel	1777(1777) Medium Oil on canvas cyf
77984		Portrait of Carl Friedrich Abel	1777(1777) Medium Oil on canvas cyf
81811		Portrait of Carl Friedrich Abel	1765(1765) Medium Oil on canvas Dimensions 126.7 x 101.3 cm (49.9 x 39.9 in) cyf
76035		Portrait of Carl Friedrich Abel German composer	1777(1777) Oil on canvas cjr
79095		Portrait of Charles Wolfran Cornwall	1785(1785) or 1786(1786) Medium Oil cyf
79772		Portrait of Charles Wolfran Cornwall	1785(1785) or 1786(1786) Medium Oil cyf
77952		Portrait of Edward Ligonier	Date 1770(1770) Medium Oil on canvas cyf
76881		Portrait of Edward Ligonier, 1st Earl Ligonier	1770(1770) Oil on canvas cjr
40899		Portrait of Elizabeth and Charles Bedford	mk158 c.1746
78184		Portrait of Georgiana	1783(1783) Medium Oil on canvas cyf
76347		Portrait of Georgiana, Duchess of Devonshire	1783(1783) Oil on canvas cjr
74903		Portrait of Giovanna Baccelli	ca. 1782(1782) Oil on canvas 2,267 X 1,486 mm (89.25 X 58.5 in) cjr
76452		Portrait of Giovanna Baccelli	Date ca. 1782(1782) Medium Oil on canvas Dimensions 2,267 ?? 1,486 mm (89.25 ?? 58.5 in) cyf
78772		Portrait of Giovanna Baccelli	ca. 1782(1782) Oil on canvas 2,267 x 1,486 mm (89.25 x 58.5 in) cjr
77315		Portrait of Grace Elliott	1778(1778) Oil on canvas 234.3 ?? 153.7 cm (92.2 ?? 60.5 in) cjr
1300		Portrait of Henrietta Vernon 10	1766-67 Collection of the Duke of Westminster
40948		Portrait of Henry Wise	mk158 1758/9
40940		Portrait of Hon.Charles Hamilton	mk158 c.1756
77819		Portrait of James Christie	1778(1778) Oil on canvas 49.6 ?? 40.1 in (126 ?? 101.9 cm) cjr
77964		Portrait of James Christie	1778(1778) Oil on canvas 49.6 x 40.1 in (126 x 101.9 cm) cjr
81252		Portrait of James Christie	1778(1778) Medium Oil on canvas Dimensions 49.625 x 40.125 in (126 x 101.9 cm) cyf
82759		Portrait of Johann Christian Bach	1776(1776) Medium Oil on canvas Dimensions 75.5 x 62 cm (29.7 x 24.4 in) cyf
80313		Portrait of Johann Christian Fischer	ca. 1780(1780) Medium Oil on canvas cyf
81779		Portrait of Johann Christian Fischer	1780(1780) Medium Oil on canvas Dimensions 228.6 x 150.5 cm (90 x 59.3 in) cyf
78581		Portrait of Johann Christian Fischer German composer	ca. 1780(1780) Oil on canvas 228.6 x 150.5 cm (90 x 59.3 in) cjr
83129		Portrait of John Campbell	1767(1767) Medium Oil cyf
40919		Portrait of John Gainsbourough	mk158 before November 1748
40947		Portrait of John Sparrowe	mk158 c.1758
40929		Portrait of John Vere	mk158 c.1752
40930		Portrait of John Vere	mk158 c.1752
1296		Portrait of Jonathan Buttall	1770 The Huntington Art Collections, San Marino
79854		Portrait of Lady Georgiana Cavendish, Duchess of Devonshire	1787 cjr
78293		Portrait of Lady Margaret Georgiana Poyntz	ca. 1775(1775) Medium Oil cyf
76471		Portrait of Lady Margaret Georgiana Poyntz later Margaret Georgiana Spencer, Countess Spencer	ca. 1775(1775) cjr
40924		Portrait of Mr and Mrs Andrews	mk158 c.1750
77790		Portrait of Mr and Mrs Carter of Bullingdon House	ca. 1747−8(1747−8) Medium Oil on canvas cyf
75981		Portrait of Mr and Mrs Carter of Bullingdon House, Bulmer, Essex	ca. 1747−8(1747−8) Oil on canvas cjr
78640		Portrait of Mrs	1785-1786 Medium Oil on canvas Dimensions 220 x 154 cm (86.6 x 60.6 in) cyf
40960		Portrait of Mrs Margaret Gainsborough	mk158 c.1759
40944		Portrait of Revd Tobias Rustat	mk158 c.1757
40957		Portrait of Robert Nugent,Lord Clare	mk158 1759
80426		Portrait of Sarah Kirby	ca. 1751-1752 Medium Oil on canvas Dimensions 768 x 637 mm (30.24 x 25.08 in) cyf
81933		Portrait of Sarah Kirby	. 1751-1752 Medium Oil on canvas Dimensions 768 x 637 mm (30.24 x 25.08 in) cyf
77156		Portrait of Sarah Kirby and John Joshua Kirby	ca. 1751-1752 Oil on canvas 768 ?? 637 mm (30.24 ?? 25.08 in) cjr
40943		Portrait of Sarah,Mrs Tobias Rustat	mk158 c.1757
77173		Portrait of the Artist's Daughters	Probably painted in the early 1760s Oil cjr
58910		Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba	Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba (c. 1765)
40945		Portrait of The Hon,Richard Savage Nassau	mk158 c.1757
89419		Portrait of the painter Gainsborough Dupont	1770s Medium Oil on canvas cyf
75919		Portrait of the Queen Charlotte	1781(1781) Oil on canvas cjr
77713		Portrait of the Queen Charlotte	1781(1781) Medium Oil on canvas cyf
40958		Portrait of Uvedale Tomkins Price	mk158 c.1760
40956		Portrait of William Wollaston	mk158 c.1759
68408		Portrat der Mary Gainsborough, Tochter des Kunstlers	76 ?? 64,5 cm 1777
70496		Portrat der Mrs Richard B Sheridan	Medium Oil on canvas Dimensions Deutsch: 220 ?? 154 cm
68449		Portrat von Molly und Peggy mit Zeichenutensilien	c. 1760
70554		Portrat von Molly und Peggy mit Zeichenutensilien	Medium Oil on canvas
79952		Portrat von Mr und Mrs Andrews	1749-1750 Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf
24265		Prince Edward Later Duke of Kent (mk25	1782
82767		Princess Augusta aged	1782(1782) Medium Oil on canvas Dimensions 59.4 x 44.1 cm (23.4 x 17.4 in) cyf
82912		Princess Elizabeth of the United Kingdom	1782(1782) Medium Oil on canvas Dimensions 59.4 x 44.1 cm (23.4 x 17.4 in) cyf
24257		Queen Charlotte (mk25)	1781
40906		Rest on the Way	mk158 1747
1313		Ritratto
1312		Ritratto di Giovane
70969		Ritt zum Markt	c. 1769 Oil on canvas 122 x 147 cm
58907		River Landscape	River Landscape

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Thomas Gainsborough

1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.

All the Carl Larsson's Oil Paintings

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